Showing posts with label stunt coordinator. Show all posts
Showing posts with label stunt coordinator. Show all posts

Sunday, March 31, 2013

Fuck them!

One of my life style choices, is the liberal use of the word "fuck." And I've been saying "fuck them" a lot lately. But in a good way!

One of my posts previously was about changing my life. Going to the gym, and having a more positive outlook on life. Which I took some time getting into. But I did get to it! I've been lifting seriously now for 5 weeks, and eating incredibly healthy for 6 weeks. I've lost 2% body fat and 17 lbs, bringing me down to 23% . Tomorrow is my official Monday weigh in, and I expect to be at about 22.5% and 197lbs. My next short term goal is 190, by April 30.
I have noticed that pretty people are treated differently in this town. Maybe it's every where, but it's not just women. Men react better to other men who are handsome. Maybe it's that fat guys don't look healthy, and if you can't even take care of yourself, why should I trust you? This is obviously a stupid way of thinking about people, but sub consciencely, I think that's what happens.

At first I was intimidated by at the gym. I live in Hollywood CA, and look at these ripped guys, and toned women every day. In the gym they seem like these perfect creatures that can do no wrong. "Fuck them!" I'm not working out to impress them, I'm not eating healthy crap so I can measure myself to their level of fitness. I'm doing it for me! That mentality is letting me do it. Being able to move past that mental block has freed me to cruise past my own personal insecurities way faster than I ever had before.
Chicks are paying more attention to me, and guys are taking me more seriously. It's not because I look muscular, or look like I've recently lost weight. It's because I have a new confidence that I had lacked before. So I will continue to Fuck them, and get myself farther into the mind space that I need to be in.

The other way I've been using "FT" is for the haters. A Good friend and school mate of mine, Casey, and I made a short film based on EA Games newest title, "Army of Two: The Devil's Carte." It turned out very well, and we had an absolute blast making it. I served as the armorer and more or less as the military consultant. If you want to see a behind the scenes, with me talking about the guns, and my job, here's the video. 



And here's the video of the full short.


If you look at the comments section, you'll see lots of haters, saying that the camera work sucks, or the visual effects suck. Fuck them. What have they done? It takes nothing to sit in your chair and criticize another's work. Until you offer solutions to fix the problems, go fuck yourself.
Constructive criticism is different, that I invite any day of the week.

Any way, if you like the film, don't worry. Another one is already in the works. It'll be far better, because this proves that we can tell a story, and on a limited budget, make a kick ass visually striking film.

In other news, Rally Point Radio has kicked off. It's going very well. Our second show was a success, and more and more people are down loading it every day. So if you'd like to give it a listen and hear what Casey and I think about making it in Hollywood as veterans, listen to the show here:

Rally Point Radio

I'm always pleased to see that people are reading this blog. It makes it worth writing. I like seeing that I have international readership. Last month, I had a big push from Russia. So thanks, to my Russian fans. If you guys like reading my thoughts about my life. Leave me a comment. I'll definitely get back to you!

Stay sharp, and stay tuned my friends. 

Saturday, December 22, 2012

Diversify!

Happy Holidays! The time of year when dreams come true, people put aside their differences and come together...oh wait. That's not really how it happens is it?

I've never been one for holidays. I guess, after having spent so many holidays away from home in foreign countries and combat zones, I've seen how important holidays actually are. Even though I grew up in a house where we celebrated Hanukah and Christmas. Look at me now, and as atheist as they come! Whoo! Happy Holidays!

No no no, there's more. Don't worry. Like the title of this blog says "Diversify." The people that I consider to be successful at this level of the game, have their fingers in a lot of pies. A writer who pays the bills as a grip, electrician, and carpenter. Or a camera guy who shoots independent stuff who also works at a camera rental house.
It's partially to pay the bills, but it's also to stay busy. It's hard to always have something to do in this business. If you ONLY want to do production sound, and refuse to do anything else, it's going to be incredibly difficult to have enough work to live on. So learn how to do post production sound also, and while you're at it, learn how to edit. That way when you meet a potential client, you can be their one stop shop for sound and post production. You're increasing your value with every skill you pick up.

When I was trying to get into stunt work, I was taking jobs doing grip and electric work, as well as military advisor, armorer, and acting gigs.

I actually just watched "Hugo" last night, didn't love it, but I certainly appreciate it as a great film. The whole premise was about the film maker Georges Melies. His film "A trip to the Moon" is the logo of the Visual Effects Society, VES. Their award is the moon with the ship in the eye, which we have about six of in the Stargate office. I never really realized what they were, now I know the story. So thanks, Marty Scorsese!
In 4 1/2 years I'll be eligible to apply for membership into the VES. I heard some of the guys in the office, talking about their "Hobbit" screeners. I need to see that movie. It would be nice to have it delivered to my apartment.

So one of the things that I was going to do to diversify, was to host an internet radio show. That's been put on hold, because the school that was sponsoring it has fallen through for now. They still want to do it, but it's taking a back seat for a little while. I'm still confident that it will go on, but it's shelved for the immediate future.
Next, I've started a YouTube channel. I sit down and interview popular content creators and talk about their lives. I want to give it a personal touch, and help their audiences really get a feel for who are they are. I'm really excited about our launch, which was tonight. Check it out, and if you like it, subscribe:

Mr. Third Side


That's my big announcement. I'm very excited. Next stop, partner!

Happy Holidays, stay sharp, and stay tuned. 

Sunday, May 6, 2012

Directing is not showing up on set and calling "Action."

Directing is not showing up on set and calling "Action." There is so much work that goes into directing, before you set foot on a set. So much, that people are hired to help the director. These people are called department heads, they SHOULD be more knowledgeable (in their fields) than the director. In fact a good director knows to surround themselves with people that are smarter than they are.
The shooting of thesis films this month really taught me a lot. If you're reading this and I worked with you this past month, I'm not trying to single any one out. A lot of good things did happen.

To direct a film you need to have a vision, and be able to communicate that vision to the people working with you. You need to be able to put every one on the same page, so you are all making the same film. This is one of the things that a strong Assistant Director will do. As far as non creative positions go, the 1st AD is the most important person on set, they can make or break your movie.

If you want to be a director, there are times when you need to STFU and listen to the people that you have around you. They are there for a reason, and YOU probable put them there for a reason! Your idea is not always the best, while you do have the final say, learn to swallow your pride and compromise. It's hard to know what things to compromise on, and it comes from experience, but a director with no willingness to compromise will fail.

Me (1st AD): You're not going to get all your shots today what do you want to cut?
Director: No it's ok, we can get them all.
Me: No you can't. The speed we've been going at is too slow, and you're running out of time. You have one hour left, and can not get three more shots.
Director: Yes I can, we're shooting them all, we'll just go really really fast.

I get very nervous when some one tells me not to worry. Unless there is sustenance behind their "Don't worry" such as, "Don't worry, I know a guy who has a steadycam rig, and he's already agreed to help out, I just need to iron out the dates." That puts my mind at ease. But saying, "Don't worry, it'll work out." Doesn't do it for me.

There is a theory in film making, the triangle if you will. You can have things either; Fast, Good, and Cheap, Pick two. I prefer always keep good, then depending on the circumstances, fast or cheap.

This weekend I spent Cinco De Mayo in one of California's beautiful Los Padres national forest, shooting guns with friends. What a great way to celebrate...what ever it is that happened on the 5th of May in what ever year it happened on. I got a little creative with my Contour HD camera.
It was a fun day, I did a lot of shotgun, so my shoulder is a little sore, but everything else was great.

Forgive my disjointed rantings today, I felt like it was a good time, after I had collected my thoughts to put them down on internet.

So do your homework if you want to direct. If your production calls for money, and you don't have it, either change the production, or GET SOME MONEY. I hate being on a shoot where no one gets paid, craft services (food) is a joke, and the director won't shell out for anything extra. If you want your film to have a low budget feel, stay low budget, but if you have a grandiose vision you will probably have to pay for it. There are plenty of ways to raise money today, Indygogo.com and kickstarter.com are great.

There is a lot more to being a director than calling action and cut. Things that you wouldn't even think about, try to get on set and just watch, take notes, ask questions, and learn that you have so much more to learn.

So in conclusion, get money, respect the people that work for you, stay true to the story, stay sharp, and stay tuned. 

Thursday, February 23, 2012

Thoughts late at night

It's late and I can't sleep. I have an appointment with my VA disability people in the morning. I guess I'll just be exhausted when I get there. I've got a zero calorie monster in the fridge so I'll be alright. By the way, those things are awesome! They really get me jacked in the morning! Like power thirst!!! I'll go fight a tiger...

Any way, through the VA folks at my school I got into a group for veterans in film and television. It's a very legit group that I think will be a real benefit to my career. However, something came of it, that I was not expecting, but should have.

I've let my ego get a little too big. For the last few months, I've had big fish in a little pond syndrome. Since I'm the only guy that I know of at my school that is interested in stunt work, I've had a lot of demand. I've started calling myself a stunt coordinator, for lack of a better term and it's gone to my head.

On my facebook, my occupation read stunt coordinator as well. When I signed up with this group for vets, I introduced myself as a stunt coordinator. Almost immediately I got a message from a real stunt coordinator that I actually know if and admire a great deal. He advised that I not call myself a stunt coordinator, because I will probably piss off the people who have devoted years and years to actually earn the credit of stunt coordinator. Especially when I have no real credits even as a stuntman. I immediately heeded his advice and amended the introduction and my profile; to aspiring stuntman.

It was a reminder that I really truly am starting at the bottom if the ladder. At 26 years old, I'm starting over at something. I thought six years ago that I would be at least decent at a job and be working my way to the top. It's a little disheartening to think about. But I guess there is no choice, since I don't want to go back to the Army. I'll just attack this new venture and make it my bitch.

I know that not any one can do anything. Those stories that parents tell their kids are a bunch if crap. You either don't have the intelligence, the genes, or the means. But stunts is something that I AM good at, and definitely see myself excelling at.

For a while I thought that I would make my living as a magician. But I never really saw myself doing that seriously. Maybe as a side job instead if waiting tables or tending bars, but not full time. If you see me bringing food to your table, I've hit Rock bottom. Bit that I'm hating on waiters, it's just not something I could do and smile. Unless I worked at a rude restaurant like Dicks. But they would just be too wearied to say I work in dicks, or I'm a dick waiter.

So until next time, stay tuned and stay sharp.

Tuesday, January 31, 2012

It has begun!

Today things got real. I had an appointment to get my first professional head shots done. It's official now, I am where I belong. 
Please allow myself to introduce myself (Austin Power's reference FTW). I am Daniel Rathaus, a stuntman, a stunt coordinator, a military consultant, an actor, an armorer, and film student. I think that's all I am... oh yea, AWESOME! 
I am a student at the Los Angeles Film School in Hollywood CA. I'm a California boy by nature, though I was born in New York city, I have adopted CA as my home. I served 6 1/2 years in the US Army as a communication Sergeant, collecting two combat deployments, and a handful of great experiences. 
Now that I'm out, I'm making my way through Hollywood, on my way to being a professional stuntman.

I am very fortunate that I have contacts in the film industry that do not come from my school. Being that I come from a film family, I'll be able to utilize the network that seems to have been tailored for me. My father is an feature film editor, mother is a story board artist, and my grandfather received an academy award in 1971 for his best picture "The French Connection." 

I know that just having connections is not enough. It takes hard work, determination, and skills. All of which I have!

So back to my day, I have about 400 pictures taken of my face, which I've never been too keen on staring at. And still, some came out really nice. Tonight they get touched up, and I'll get them tomorrow. Then I can start hustling and getting my face out there to coordinators. 

While I work on getting gigs, I'll continue to concentrate on working with my fellow students, as the stunt coordinator on their short films. So I have something to put on a reel and my resume. 

It's going to be a fun ride, and I'll keep you all updated as things develop. So stay tuned.